Stereoscopic photographs, also known as stereo views or stereographs were a very popular form of entertainment during the 19th and early 20th centuries. Stereoscopic photography dates back, almost, to the beginnings of photography itself. Commercial production of stereo views began in the s and reached its zenith in the late s. Makers offered images of a wide variety of subjects. These included famous people, wars, disasters, major events, world’s fairs, animals, humorous scenes, religious subjects, nature scenes, great works of art, and all sorts views of exotic and not-so-exotic places and more. The stereo views were initially, sold individually or by the dozen.
I frequently get email from people with old stereocards and viewers they would like to sell or have appraised. Here is the answer to your question. The value of everything in the universe is dependent on only one thing: What a buyer is willing to pay. This is true for the housing market, the stock market, and the collectibles market. Tens of thousands of stereoviews were made at their peak of popularity between and Of course it is impossible to know what the market will determine as the value for a stereocard, but there are some guidelines:.
Tens of thousands of stereoviews were made at their peak of popularity Some cards have text on the back (the verso) that can be quite interesting.
To browse Academia. Skip to main content. Log In Sign Up. Download Free PDF. Guide to Identifying and Dating Photographs. David Cycleback. Check out the back of a s or s photo. In the late s photo paper manufacturers introduced resin coated paper that is still widely used today. Resin coated paper has a smooth plasticy feel on the back, as it was coated in a plastic resin.
Photographic Cabinet Cards: Country Trends–United States
Early Mounted Photographs. Nearly all s paper photographic prints are mounted. A percentage of early s photographs are also mounted.
Identifying and dating photographs Photographs are identified and dated by While most mounted photographs were cabinet cards, stereoviews and cartes de.
Seller Rating:. Condition: Very Good. On offer is an exceptional archive of original color slides [positives] featuring the most remarkable female beauty of the 20th century being Marilyn Monroe. Monroe is candidly captured during a rehearsal and live performance of Edgar Bergen’s radio show October 26th, The writer of the show, featuring the internationally famed Bergen and his equally famous puppet Charlie McCarthy, was Mr. Zeno Klinker. Klinker, [the character Effie Klinker is named after the man] besides being a talented writer and comedian [his sister also a creative talent being the renowned Death Valley artist Orpha Klinker], was also a passionate photographer who photographed nearly every visiting actor, actress or celebrity on the Bergen show and at this particular broadcast he had direct access to Marilyn Monroe.
She is absolutely ravishing and at the height of her beauty and appears to be having a sensational time. A number of group shots include Monroe, Bergen and other cast members. Collectors and historians of Monroe’s life and career will recognize that as her star was ascending and she gaining some small influence due to her roles in ‘The Asphalt Jungle’ and ‘All About Eve’ at this broadcast of one of the most popular radio shows ever she was a mere three months before the film noir movie ‘Niagara’ would launch her to stardom.
The mount thickness changed dating time, with the earlier ones being thinner than the later ones. The s mounts are typically thinner than the s mounts which are typically cdv than the s and later mounts. Having inexpensive examples from different years on hand will help judge thickness. In the s the logo was relatively small and with conservative font. As the years went cdv the design became larger and more ornate, sometimes taking up the entire back.
Get the best deals on Collectible Stereoviews (Pre) when you Hauling Empty Hoppers on The Pennsylvania Stereoview Card.
There are lots that match your search criteria. Subscribe now to get instant access to the full price guide service. Underwood and Underwood Sun Sculpture stereoscope viewer with over 60 cards including Ingersoll. No holder. Over One Hundred and Seventy Mainly Mid XX Century Topographical Picture Postcards, of historical houses, seaside views etc, a small quantity of tea cards and twenty eight stereoscope cards, some of Sheffield interest.
A collection of stereoscope slides, circa in number, to include scenes of Bristol suspension bridge, steam ships, Welsh miners, Boer War etc plus two viewers. Andrews, 10th August , to William Stirling. Brewster states that he has been requested by the University of St.
The Holmes Stereoscope, Stereoscope Viewers & Cards
The stereoviews of the Smithsonian Institution Building in the Castle Collection cover a range of dates from to about These photographs provide rare glimpses of the exterior of the building as well as some of its interior spaces now long gone or significantly altered. The Smithsonian’s guidebook listed paintings by Stanley and by King on exhibit in the gallery.
Title inscribed in the lower right corner.
were made by Underwood Sun Sculpture. They are dated , & and. tattered edges, age yellowing, dirt spots, fading. STEREOVIEW CARDS.
Their bodies, officially, were at Flood Brook School in Vermont, perched atop stools and set among a set of comfy couches, whiteboards and cubbies. But mentally, they were teleporting around the world. Later, when they put their headsets down, the students told Herzog they were stunned by the intensity of the experience—and how much more emotionally they intuited the brutal dislocations wrought by war. But the VR hammered it into their souls. VR, it seems, is finally edging into the mainstream.
The high-tech age has given birth to many addictive new media, including websites, YouTube videos and endless text chat. But proponents say VR is different. By hijacking our entire field of vision, it has more persuasive power than TV, radio or any other previous medium. Why does VR get its hooks into our psyche? If you drew two pictures of something—say, a cube, or a tree—from two slightly different perspectives, and then viewed each one through a different eye, your brain would assemble them into a three-dimensional view.
This was, he noted, precisely how our vision works; each eye sees a slightly different perspective. A decade later, the scientist David Brewster refined the design, crafting a hand-held device you could raise to your eyes. A scene came alive. The London Stereoscopic Company sold affordable devices; its photographers fanned out across Europe to snap stereoscopic images.
By the s dark colors dating common and the mount often had scalloped edges. The mount thickness changed over time, with the earlier ones being thinner than the later ones. The s mounts are typically thinner than the s mounts which are typically thinner than cards s and later mounts. Dating inexpensive examples from different years on hand will help judge thickness.
In the s the logo was relatively small and with conservative font. As the years dating by the design and antique cards more ornate, sometimes taking up the entire back.
Discover a collection of over stereoscope cards (stereograms) from the late 19th century. Stereoscope cards describe a pair of.
Stereoscopes are an old invention that allows photos to be viewed in 3-D. The first stereoscopes date to around They were very popular. There were various models available when Oliver Wendell Holmes invented the hand stereopticon, the type of stereoscope I have. Holmes did not patent his invention, keeping the device economical. The Holmes Stereoscope is a wooden or metal viewer with two prismatic lenses and a stand to hold the stereo card. Stereoscope cards have two photos taken with the same focal point, but from different angles.
When you look through a viewer, it looks like a single 3-D picture. They were very popular and you could find them anywhere. You can view them while you wait for your tour. I used to make 3-D photos and you can too.
Antique and Vintage Stereoview Photographs
T he Keystone View Company was founded in by B. Singley in Meadville, Pennsylvania. This might not sound like an auspicious location, far from the photographic centers of New York, Boston, and Philadelphia, and originally the operation did indeed have a “backwoods,” quality, turning out distinctly second-rate stereoviews and barely making the founder a living.
Antique and Vintage Stereoview Photographs. Stereoview Cards. By the s dark colors dating common and the mount often had scalloped edges. The mount.
The Antiquarian Society houses one of the country’s largest collections of early American stereographs. Stereographs, an early form of three-dimensional photograph, were a major vehicle for popular education and entertainment in the latter part of the nineteenth century. Many nineteenth-century photographers now regarded as fine artists produced significant bodies of work in stereograph form; among these were Timothy O’Sullivan, Carleton Watkins, and Eadweard Muybridge.
Stereographs were also used for journalistic reporting on many of the current events of the period: parades, disasters, and political events. The Civil War and the Spanish-American War are also documented on stereocards with textual commentary. The stereograph, otherwise known as the stereogram, stereoptican, or stereo view, was the nineteenth-century predecessor of the Polaroid, with an imaginative flair.
Placed on cardboard were two almost identical photographs, side by side, to be viewed with a stereoscope.
Stereoview Photograph Collection
Bring it to Dr. In the typical American home of the late s, a hand held device called a stereoscope, and the stereographs or stereoview cards that accompanied it, was an object as common back then as a TV set is today. The hand held device allowed a sitter to be entertained by looking through the stereoscope or stereopticons, stereo viewer and see a three-dimensional image of a famous place or event on a stereograph card.
Below is a set of courtship stereoscope cards dating from to The images are racy, bawdy, lewd and charming. Sexy stereo cards.
This is a copy of an earlier photo—certainly either an ambrotype or daguerreotype. On the actual cabinet card, these lines are not really noticeable, but when blown up, they become quite evident. The sitter wears fashions that date the photograph to the s. She wears a mourning brooch at her throat, its hair compartment and black enamel clearly visible.
I have a similar brooch in my collection. The otherwise lovely piece below suffers from moisture damage. At some point in the past, water or humidity seeped into the brooch and now the hair is a shade of green, dyed by the metals that surround it. In the second half of the 19th Century, at the height of the Victorian Age, the union of photography and the supernatural spawned strange and enthralling results.
Early in the practice of the photography, ghostlike images appeared on daguerreotypes, ambrotypes, and tintypes. The explanation for them was not supernatural: Because of the need for long exposures, in some cases of more than a minute, anything that moved whilst the camera lens was open went either unrecorded or appeared transparent in the final product. Brewster advised that sitters should be posed and after the majority of the plate exposure was finished, a new person should move into the scene and stay for the final seconds.
Whilst Brewster clearly promoted this method for what it was—a trick—others with an interest in the expanding religion of Spiritualism saw ghost images as proof of life after death. It should be noted that the Victorians were not the only folk taken in by the callow exploitation of technology they did not fully understand.